• How old is the concept of curation? What made us do that?
  • Why do we have galleries? What qualifies to be in a gallery? What qualifies to be worth the collection? On what metrics does a curator work?
  • History is told by the rulers. How do you differentiate truth versus mythic truth? Especially in India where there are so many Ramayanas? Also, it is so difficult to exclude any part of history, especially with India’s pluralistic and diverse culture. What are your thoughts on this?
  • What is your definition of unique or being iconic to a particular time? How has that definition of, one-of-a-kind changed in the last 30-40 years? How stable is this concept of uniqueness in this changing world?
  • Recently, there has been a growing interest in the time period when your father’s practice was at its peak. You have spoken, written, and exhibited extensively on the works of architects, designers, and cultural producers of this time. Why this time important to understand?
  • Do you think we as humans are worried we will forget? What is the long term future of museums, galleries, or for that matter, the paintings you’ve done and photos you have taken? Overall art in India?