- The biggest asset of Hindustani classical is the framework of Raag (Raag Vyawastha). Why do we need this framework and how does it help?
- How is one Raaga’s mood defined? Who defines them? For eg: What is Marwah’s feeling
- In one of the interviews, Vasant Rao Deshpande mentioned that once Asa-Ali khan Saheb sang Marwah and he realized the span of Marwah is so huge. What does this span/canvas mean?